This last weekend I was able to participate in a debate with Kristi Winters on the subject of “the sexual revolution”. The debate video can be found here:
The after-action report can be found here:
The full oppo research file can be found, here.
This last weekend I was able to participate in a debate with Kristi Winters on the subject of “the sexual revolution”. The debate video can be found here:
The after-action report can be found here:
The full oppo research file can be found, here.
Several of my YouTube videos have been seeing an enormous amount of traffic. This has occurred largely in consequence of me dipping a toe into the internet feud between contrarian blogger Sargon of Akkad and the left-side of the internet. The fight concerns his recent petition to disband “social justice classes” on American college campuses.
I haven’t typically posted YouTube videos to this site since the topics tend to be of a more terse format that doesn’t fit into longform blogging. However, you can find my response to Sargon’s petition here, and my reaction to his debate with academic Kristi Winters here, as well as my reaction her “social science” teachings here.
At any rate, since the subscribership has reached 100+, I have created a video intro for the channel, which can be viewed below.
And, of course, my channel can be found here!
“Experts” can agree on one thing. 2016 is a populous moment in America. But really, this just means that our proclivity to complain about problems has momentarily surpassed our delusion that American leaders are interested in solving them.
But this perennial problem has been compounded. After decades of mindless culture and plummeting collective intelligence, the nation has finally descended into a state somewhere in between degenerative brain disease and Stockholm syndrome. And, like an intoxicated Titania stumbling towards an unsuspecting Bottom, our country has now fastened its gaze on a motley crew of senile-lunatics and conmen that we call Presidential contenders. It’s all the farce of an Elizabethan drama, with none of the comedy.
It would be one thing if this panoply of pusillanimous politicos had a single idea as insane as their hairstyles, but uniformly their proposals are the same microwaved earwax run through the anal-retentive strainers of every focus group this side of Jupiter. Want yet another round of tax cuts paired with entitlement expansions? How about more drone strikes? Oh – and get ready for a new round of health-care reforms, whether it’s Crazy Cruz-flavor, Hairbrained Hillary-style, or the patented “Yuge Trump” edition.
Frankly, it has been obvious to everyone with a neckline unbruised by their own sphincter that these endlessly propounded policies don’t work worth a hill of beans. Everyone has a different take on why, but for my two-cents, it is nothing less than political cowardice. Our leaders don’t really have the gumption to take on new ideas, so instead we get ever more grandiose versions of the same tired tripe. Surgical strikes not working? Let’s have carpet bombing! Don’t like Medicaid? Well, let’s expand it to everybody! Social security not solvent? Oh well, I guess that will have to be the next generation’s problem.
But there are indeed simpler solutions available to leaders with more robust constitutions. We don’t need confiscatory tax rates, we don’t need to slash regulations and entitlements, and we don’t need draconian new immigration policies.
We just need to ban birth control.
Or, at least ban birth control for people who make over $200,000 a year. For the rich, illegalize it all! Abortion, the pill, condoms, the sponge, it all must be sent into the cleansing fire of reform. Let the contraceptive-flames blaze ever higher!
Trust me. If you want a path to the golden unicorn-filled fields of true equality, if you want America to once again climb the silver-lined mountains of national greatness, this is the only way. It’s time to loose the latex from the laps of luxury and pry the pill from the palates previously occupied by silver spoons. Yes, that means you Koch Brothers! George Soros and Bill Clinton, don’t think I’m letting you off the hook!
But seriously, let’s take our nation’s problems head on. Do you want growth? Do you want generous and solvent entitlement programs? Do you want an unending era of American innovation and military dominance? Well then we need more young people and that means more children. And who better to have said children than those with the ample resources to raise a new generation? Heck, we already know from Tiger Woods and Amy Schumer that the copulation habits of the wealthy can hardly be contained. Take a bite out of their contraception cache and watch the progeny of the prosperous pour forth faster than cocaine from Lil Wayne’s duffle-bag unzipped at customs. I bet the economic boom on baby products alone will be a driving force in our economy within the month.
And that doesn’t begin to cover the cultural benefits. How many times have you heard about the impossibility of balancing work and family life? Well, this is because contemporary corporate culture is designed by billionaires who are uninterested in raising more than a single designer baby. But, those mindsets will be forever banished by my new policy. No more Sheryl Sandberg books labeling a 70-hour workweek “leaning in”, more new Sheryl Sandberg books about balancing the demands of corporate leadership with a family life that includes 5 kids. And need I mention the likely surge in demand for hyper-educated Mary-Poppins style super nannys? Employment crisis be gone!
But before I get carried away, I will admit that there are some drawbacks. I am certainly not looking forward to Kim Kardashian becoming the next Octomom (though I suspect she will name her new children East West, South West, Due West, Key West, Best West, and Kanye West West). The government would also need to implement extensive enforcement to keep the contraceptives out of the hands of mistresses and other unorthodox outlets. But I believe that this too might be overcome with zealous policing, improved paternity tests, and child support laws ramped up on steroids. In the end, philanderers like Bill Clinton may well have a bumper crop of bastards in tow; but they could always be put to work on Hillary’s campaign.She would appreciate the help at this point.
But I can already hear the whining from the naysayers- “It’s not faaiirr….muh social justice!”
I will be blunt here. This policy IS justice, or at least as close to justice as a political proposal will get. In fact, banning contraception for the rich, is the only solution that stabs at the great hearts of modern hypocrisy. Hypocrisies that persist, no matter how our media tries to ignore them.
The first great hypocrisy is that our perennial efforts at redistribution – be they taxes, regulation, inflation, or confiscation – never really upset the position of the powerful. This is because our current elites do not depend on liquid assets. They store their privilege in social networks, education, and other intangibles not easily seized by authorities. Taking wealth – true wealth- away from the powerful is near impossible in our era of global capital, and privilege can only be undermined with the cooperation of the privileged themselves.
But what better way to voluntarily lighten the entitlement of our elites than afflicting them with their own fecundity? No birth control means bigger families and bigger families mean diminishing-returns on privilege. An Ivy League might accept one family member as legacy, but ten? Get ready to buy Yale a new football stadium, Daddy. And as 2-centuries of British comedy as well as the career of MC Hammer attest, nothing drains a bank account like a pack of perfidious poor relations. An endless supply of grasping grandchildren is enough to send even the most flush silicon valley billionaire running to his private chambers to count the family doubloons. If that isn’t poetic justice, then I don’t know what is.
And that brings me to the second great hypocrisy of our age. It is a fact that the poor never shared in the sexually-liberated utopia promised by the birth control pill. This has been obvious to anyone who’s perused the demographics of fatherlessness and suicide among America’s lower classes in the last 40 years. In fact, it has taken all the intellectual power of our academy to ignore that plain truth.
Effective birth control depends on lifestyle choices and upward mobility. In short, you need stability to effectively contracept and this is something that the poor have never had access to. Observe that not many rich people need Planned Parenthood and don’t expect Mark Zuckerberg’s daughter to ever be in danger of single-motherhood. The sexual revolution was a project of the privileged and -short of sterilization (reversible or otherwise)- there is really no way for poor people to participate.
But before my brief allusion to sterilizing the poor causes the followers of Peter Singer to spontaneously salivate, could I point out the last and possibly most delectable irony of my simple solution? It would -for once in human history- invert the pattern of wealthy people dictating to the poor, the structure of family life.
We’ve seen this a thousand times in the 20th century. Between the forced sterilizations of India, the one-child policy of China, and the recent campaign to shove birth control pills down the throats of Africans, elites have have never once tired of forcing their reproductive preferences on the impoverished. But perhaps it’s time to turn the tables. The wealthy can check their privilege, punt their progesterone pills, and ante up to a lifestyle where they’re no longer in complete control of their reproduction. It might be vindictive, but it certainly smells like fairness to me.
And don’t feel too bad for those rich people. Given the populist rage brewing across the globe, we might be doing them a favor. Who knows, this radical measure might be the only stopgap to a complete revolution, and, in condemning the wealthy to a life of caring for toddlers today, we might be sparing their necks from the guillotine tomorrow (though from my understanding this might only be a marginal improvement). Still, as their descendants multiply, those same scions might be at a loss for what to do with such a great number of children. A difficult question indeed. But if things ever get too confusing, I suppose they could always eat them.
Childhood memories are difficult to pin down, but one that still remains vivid was my early love of dinosaurs. Of course a childhood fascination with dinosaurs is not unusual, but the distinct image of “the dinosaur”- depicted universally in dinosaur-themed paraphernalia through the 80s- is difficult to explain to those born after 1991. Long before Jurassic Park introduced realism to cinematic dinosaurs and well before revised scientific images added feathers and contours to make them distinctly animals, depictions of the ancient beasts vivified their Greek name. They were terrible lizards. Ravenous, dimwitted, cold-blooded, and above all primitive, “the dinosaur” existed as a nothing less than a primordial monster. Between the lethargic herbivores and unceasingly ravenous carnivores, there was nothing about the creatures that wasn’t rampant, unconstrained , and dominating. Less some animal that lived a long time ago, more a demon from a chaotic age that might not even exist in our epoch of reason without contaminating it with its own primordial nature.
One image in particular persists in my mind as an icon of what “the dinosaur” once was in the popular imagination. It is a painting of a late-Jurassic battle between an allosaurus and a brontosaurus. Depicted in a children’s book of dinosaurs, the image was nonetheless more gruesome than anything I had encountered as a young child. Even now, looking at the image as an adult, it is brutal. As the allosaur talons cut into sauropod’s flesh, streams of blood trickle down to the swamp and the gentle giant sways in agonizing throws. There even seems to be a sadistic joy in the countenance of the carnivore.
The caption originally included beneath the picture only added to the scene’s poignancy. Stuck in quicksand, the sauropod had been overtaken by an allosaur, a predator it could have otherwise fended off with ease. Though unable to escape its doom, in death the brontosaurus had collapsed and crushed its assailant. Thus, the futility of the scenario was further underlined. The agonizingly cruel death of the brontosaurus was mirrored seconds later by the ironically cruel death of the allosaurus. There was nothing that justified the fate, it existed as a product of the futile prehistoric world.
I have found myself reflecting more and more on such futility, not the least when contemplating our country’s current political situation. Sure enough, there might be much in the way of a comparison between the image of two fighting prehistoric beasts and the prospect of a Hillary vs Trump race this Fall. Perhaps, a more apt analogy yet might be the opportunistic and carnivorous Trump sinking his teeth into the immobilized and bloated body of a Republican establishment (probably only to be later crushed under that establishment’s decaying husk). But still, a more disturbing comparison is on my mind.
At this point in 2016, a significant amount of commentary has comprised of “experts” castigating this election’s descent into coarseness and violence as “unprecedented”. More historically-minded pundits have been quick to point out that this might be better characterized as a throwback to a type of politics historically common in 19th century, but long since out fashion. While rare in our modern advanced age, the narrative goes, 2016 is a temporary lapse into a violent populist mode, likely never to be repeated again. But even as I am assured that our politics will momentarily return to their mundane pattern of stale choices and consistent growth, I am troubled once more by a vision of “the dinosaur”.
There was one way that the antediluvian depictions of “the dinosaur” were accurate. There was a certain insight in the visions of unfeeling titans battling in the shadows of dimly-lit volcanoes. For all their manifest inaccuracies, the old pictures captured a truth neatly hidden away in our modern understanding of living creatures, ancient or otherwise. The truth is nothing less than the fact that animals, in their natural element, embody all the cruelty and callousness of the universe that spawned them.
It is easy to forget that when most of our interactions with animals are filtered through the lens of domestication, science, or art. The subtle censorship of the textbook encourages us to think of animals as dissected specimens, just as our experiences with domesticated companions encourages the view that they are anthropomorphic furry humans. But these fictions are paper thin, made obvious in any encounter with a wild animal. The cruelty of animals is one of the truest things about them because their violence is a product of the Darwinian forces that shape every moment of their natural lives.
Nature has a demonic element in its core, and it is a nature that humans share, no matter how our culture tells us otherwise. In modern times perhaps Nietzsche did the most to remind us of this base reality. But it was a fact well known to the ancient Greeks. Even the medieval craftsmen were aware of this chaotic nature in man and beast, and carried it forth in their depictions of animals and wildmen. Could the 20th century popularizers of dinosaurs have unwittingly rediscovered this oft-forgotten truth?
This brings me back to our present political reality. Although I am not one prone to alarm, there is indeed a reason to be unsettled by auspices hinted at in the rise of Trump, Putin, and ISIS. Regardless of what we might be tempted to think, these actors are not historical anomalies, the persistence of our civilization is. And while it might be true that our present crop of strongmen are passing,
so too is the long illusion of continuous progress and ever-increasing economic growth that sustained the previous order. We are in a dying era and everyone, left, right, and center feels the foundations shifting beneath their feet.
It is fashionable to talk of the advancement of human civilization and the spirit of the age. But wise philosophers have long known that Olympian edifices are built upon the bones of the chaotic giants. In fact, the truly wise have known that the giants are not dead, but merely sleeping. When we hear the rumbling of their disquieted slumber, we might be reminded that on any given day the demons of the ancient world may rise in rage against our modern illusions. Because, whatever part of our own lives are folly, their hunger for dominance is real.
I struggle with expressing this sentiment, mostly because I am aware how unoriginal it is. As such, I hope to close my speculation with words from the poet W.B. Yeats, who said it best of all.
Below is a lecture I gave to the Socratic Forum for Thought on the subject of Kurt Godel’s marvelous Incompleteness Theorem and its relevance to philosophy.
I have to admit, I found this to be a hard topic since it cut a fine line between rigorous abstract logic and more loose metaphysics. Most in attendance received the talk well, perhaps I will do another in the future.
Still fresh off the campus PC-wars of 2015, a recent article from the New York Times highlights Mizzou’s new approach to teaching academic race theory. A key quote illustrates the tenor:
“And then there was Dr. Brooks, a 43-year-old African-American who teaches “Race and Ethnic Relations” and challenged the students to think about race through the prism of sports. He offered a gentle explanation of the Williams/Sharapova discrepancy: “Maria is considered a beauty queen, but by what standards of beauty? Some people might just say, ‘Oh, well, she’s just prettier.’ Well, according to whom? This spells out how we see beauty in terms of race, this idea of femininity. Serena is often spoofed for her big butt. She’s seen as too muscular.”
There has been some push-back on this piece from the right-leaning side of the blogosphere. Indeed there is much to criticize. Dr. Brooks’ assertions are the all-to-typical progressive pablum, eternally oblivious to the realities of marketing and what the general public want in advertising icons. At the end of the day, most evidence suggests that marketers cater to preexisting desires rather than injecting foreign ones into their subjects’ subconscious. If there is a legitimate critique of the reigning “beauty standard”, it will have to start on a much deeper psychological level than the salary differentials between two tennis stars.
But there is a much broader problem in this “dialogue”. The title claims that it is a “blunt” conversation on race, but there is nothing blunt about it. This is the standard “question your assumptions” line that is trot out by progressive teachers who think they understand deconstructionism but don’t. The nature of deconstruction is that it never stops. Since the perspective assumes that there is “nothing but the text”, it will eventually reduce all arguments to mere words. It is the universal solvent that cannot be contained.
In the future, historians will doubtless attribute the current popularity of this intellectual approach to the insular nature of the academy. In short, campus progressives only feel comfortable using such deconstruction-style tactics because they are confident in their unshakable monopoly within conversations on race and society. The second the monopoly is broken and the non-progressive deconstructionist enters the conversation, all meaning disintegrates and no progress can be made.
For instance, Serena Williams’ body type is indeed disadvantaged under our society’s “arbitrary standard of beauty” which prioritizes subtle curves over muscular angles. But is not Maria Sharapova also disadvantaged by an equally arbitrary standard called The Rules of Tennis? Tennis, by construction, advantages tall players with muscle and long limbs who can slam the ball across the court. A relatively petite woman, like Sharapova, can’t compete in this regard and probably never will. But once we question this standard, why do we even care about Williams or Sharapova at all? We are left only with words, not a meaningful exchange.
I have long wondered how our the modern millennial college grads, educated in such a selectively ideological environment, would react once entering slightly less homogeneous urban areas. My recent experiences have not been encouraging. Where in college my progressive friends had been radical idealists, they now think in terms of power and control. Oddly enough, I found that this phenomenon similar to the attitude I encountered when interviewing members of the fringe alt-right community. No one seemed much concerned about morality or hypocrisy, they just wanted their side to be the one in control of things.
I worry that we may have educated the first generation that actually believes expediency to be the sole value in life. But, perhaps this is my own pessimism. The unsung saints of this age may indeed be too meek to be noticed prominently. But wherever they are, I hope they are considering careers in higher education.
Despite the unending internet controversy, I remain resolute in my stance that video games cannot be art. Games contain a fundamental opposition at their core between players and audiences that cannot be resolved. Failing some huge revolution in Western culture where we suddenly conceptualize beauty as something you can “win”, I wouldn’t expect the next Picasso to be releasing his work at a GameStop.
Still, every now and again I see a new title that makes me question my conviction. Enter That Dragon, Cancer, a small indy game being released this winter. The game is an auto-biography that tells the story of a young Christian couple and their struggle with the extended sickness and death of their infant son, Joel.
Yes, I know this sounds like a macabre subject for a video game, but it makes more sense when the entire story is told. The NPR show ReplyAll does a good job explaining:
This is by no means the first artsy viewpoint-style video game. But from what I can tell, That Dragon, Cancer takes the form one step further. It contains genuine emotion that I just haven’t seen in titles like Gone Home or Life is Strange. Moreover, there is a raw power apparent in the story. It’s certainly art, even if it’s ultimately not much of a game.
But the strangest component of this game is its apparent focus on religion. Christianity is at the heart of That Dragon, Cancer. The central layout is a cathedral, the family’s own spiritual beliefs are a driver of the plot, and the original purpose of the game was to express the emotions felt during a moment of prayer. Ultimately, I will be very interested to see how these themes are expressed in the medium of video games.
The central problem of art in video games has always been player choice. Video games put the player at the center of making decisions beyond the creator’s control. Thus there is an interplay between the two where the desire of the artist to challenge assumptions and the desire of the player to escape reality are at odds. The more the artist introduces a strong narrative and challenging messages, the more a constraints are needed to steer players away from their natural inclination towards self-affirming fun.
In the past artsy video games like Limbo and Bioshock have addressed the problem of choice by making the futility of the player’s decisions a central theme. With enough existential “Waiting-For-Gidot style” doom, a player can be artfully compelled towards an art-house ending without damaging the realism. A seemingly open world where the character’s minor decisions cannot assuage their final doom might be the plot of every French existentialist novel, but it’s also an easily programmable format for a video game.
But the subject of futility and choice also have a direct relationship to prayer. Prayer is a difficult thing to explain to most non-religious people. Do believers really believe they are influencing the will of God? Do the pious think they can bend the universe with the force of supplication? If not, isn’t the whole endeavor futile? All these questions are fair, but very difficult to answer without extended analogy. To the religious prayer comes naturally, and there is is an ineffable flow and logic to those who practice it regularly.
During more religious ages powerful scenes of prayer in fiction were passed over with little commentary. Our contemporary age is quite different. When so few people practice devotion themselves, a depiction of such requires explanation. But is any verbal explanation adequate?
The central inspiration for That Dragon, Cancer was a prayer of a father for his son when nothing else seemed to make a difference. Certainly, the prayer neither stopped the cancer nor ceased the pain, but was it futile? Perhaps prayer might be better thought of as something that brings rational order to a reality that would otherwise seem cruel and futile. It might even be possible that this side of prayer is better expressed in a video game than in written theology.
I’ll be looking forward to “playing” That Dragon, Cancer when it comes out. However, I might have to force myself to play all the way through. A strange problem for such a typically addictive medium.